Yıl : 2019 Cilt : 39 Sayı : 1

Tam Metin (PDF)

Durkheim and the Nation

Open Access

Öz

This article elucidates key elements of the Durkheimian framework that bear specifically on studies of nations and nationalism. Durkheim’s theory of collective representations and his general theoretical view of the nature of human experience and the constitutive forces of social life are shown to offer leverage on problems of contemporary general interest to sociology. A Durkheimian approach to the study of nations and nationalism centers on three key elements: i) the definition of the form of collective consciousness characterizing the putative national unit; ii) a focus on the historical or genealogical development of the national unit; and, iii) the analysis of this unit in its theoretical aspect as a set of collective representations. Seeing nations and nationalism from a Durkheimian standpoint affords an understanding of these phenomena in terms of what they suggest about the nature of human social order as such. The contributions of Anthony Smith and Liah Greenfeld are discussed in light of this framework so as to make manifest the enduring significance of Durkheim’s thought.

Anahtar Kelimeler

Durkheim   Nations   Nationalism   Political-Sociology   Anthony-Smith   Liah-Greenfeld  

Sorumlu Yazar

Eric Malczewski

Kaynakça

  • Alpert, H. (1939). Émile Durkheim and his sociology. New York, NY: Columbia University Press and London, UK: P.S. King & Son, Ltd.
  • Alexander, J. (1982). Theoretical logic in sociology. Berkeley, CA: University of California Press.
  • Alexander, J. (1982–1983). The antinomies of classical thought: Marx and Durkheim (Vol. 2 of Theoretical logic in sociology). Berkeley, CA: University of California Press.
  • Alexander, J. (1988). Durkheimian sociology: Cultural studies. Cambridge, UK: Cambridge University Press.
  • Alexander, J. (2008). Iconic experience in art and life: Surface/depth beginning with Giacometti’s Standing Woman. Theory, Culture & Society, 25(5), 1–19.
  • Alexander, J. (2010). Iconic consciousness: The material feeling of meaning. Thesis Eleven, 103(1), 10–25.
  • Alexander, J. (2012). Iconic power and performance: The role of the critic. In J. C. Alexander, D. Bartmanski, & B. Giesen (Eds.), Iconic power: Materiality and meaning in s
Daha Fazla Göster

Detaylar

DOI 10.26650/SJ.2019.39.1.0013

Submission : 14 May 2018

Published : 30 Haz 2019

Tam Metin (PDF)